As of late, the draconian and backward Section 377 was put down as ‘illegal’ by the Supreme Court of India, offering plan to a huge number of the individuals who were pulled in to individuals from their very own sex yet couldn’t turn out freely. Bollywood has made movies on this angle yet they are rare. The individuals who talked about it forthright like FIRE [1996], ALIGARH [2016], ANGRY INDIAN GODDESSES [2015], MY BROTHER NIKHIL [2005], MARGARITA WITH A STRAW [2015] and so on were intended for specialty groups of onlookers and then again, GIRLFRIEND [2004] was unreasonably unpleasant for standard crowds. DOSTANA [2008] anyway was a standard film yet here, the characters claimed to be gays. KAPOOR and SONS [2016] took a genuine, straightforward methodology however it was only a little track in the film. What’s more, in DEDH ISHQIYA [2014], it simply contacted upon the viewpoint in an unpretentious way. In such manner, EK LADKI KO DEKHA TOH AISA LAGA is a critical flick as it revolves around a lesbian character and in the meantime, it highlights unmistakable performing artists and sponsored by a rumored generation house. So does EK LADKI KO DEKHA TOH AISA LAGA make great utilization of the chance and work for sure? Or on the other hand does it flop in its undertaking? How about we dissect.

Motion picture Review: Ek Ladki Ko Dekha Toh Aisa Laga

EK LADKI KO DEKHA TOH AISA LAGA is the tale of a young lady needing to cherish however isn’t permitted to because of societal weights. Sweety (Sonam Kapoor Ahuja) lives in Moga, Punjab and is the little girl of Balbir Singh Chaudhury (Anil Kapoor), who runs a major article of clothing plant. She finishes her graduation and Balbir begins chasing for an appropriate prepare for her to wed. Sweety’s definitive sibling Babloo (Abhishek Duhan) anyway understands that Sweety subtly is enamored with somebody. When she goes to Delhi to meet the darling, Babloo pursues her. Sweety acknowledges and she flees. She arrives up in a dramatization hall where she catchs play chief Sahil Raza (Rajkummar Rao). Sweety winds up observing the play practice and comments that the play needs soul, as though the author executive has never begun to look all starry eyed at. Sahil succumbs to her at that exact moment. Babloo anyway arrives up at the theater and Sahil encourages her in fleeing from him. So stricken is Sahil by Sweety that he arrives up in Moga. He claims to direct an acting workshop there and he’s aided in his ‘main goal’ by the adorable Chatro (Juhi Chawla). Babloo in the interim tells Balbir and Beeji (Madhumalti Kapoor) that Sweety cherishes Sahil, a Muslim kid. Balbir is stunned and chooses to quickly locate an appropriate counterpart for Sweety. In the interim, Sahil discovers from the house help in Chaudhury’s Kothi, Chaubey (Brijendra Kala), that Sweety’s family thinks about him and that Sahil is here for his ‘better half’ Sweety. Sahil’s happiness knows no limits as he presumes that even Sweety likes him. On Beeji’s terrific birthday slam, Sahil meets Sweety in private and maintains his affection. This is when Sweety admits to him that she doesn’t love him and that her affection intrigue is a young lady. What occurs next structures whatever remains of the film.

Gazal Dhaliwal and Shelly Chopra Dhar’s idea is dynamic and makes an imperative remark, which is commendable. However, simply having a decent message isn’t sufficient and there are a couple of flaws that should have been dealt with, for a superior effect. Gazal Dhaliwal and Shelly Chopra Dhar’s screenplay is better than average however doesn’t have the hard-hitting feel. Subsequently, the film’s effect is constrained. On the in addition to side, a couple of scenes are elegantly composed. Gazal Dhaliwal’s discoursed are great.

Chief Shelly Chopra Dhar delicately handles the subject of homosexuality. Nonetheless, the contentions don’t appear that outrageous for reasons unknown. In a perfect world, the showdown between Sweety (Sonam) and her family ought to have been progressively extraordinary and that is the point at which it would have had a crushing effect. Likewise, the finale appears a bit excessively oversimplified.

EK LADKI KO DEKHA TOH AISA LAGA has a to some degree ungainly start as the festivals in the melody ‘Gud Naal Ishq Mitha’ appear somewhat shallow. The story grabs as Sweety and Sahil meet in the hall and later in the arrangement inside the metro train. The way in which Sahil chooses to leave the play practice in the center and set out to Moga to discover Sweety is very hard to process. Also, this viewpoint proceeds all through the film. A couple of scenes all over fortunately engage like Balbir furtively heading off to the kitchen and Balbir-Sahil’s first gathering. The recess point could have been progressively significant yet by and by, it attempts to a degree. Post-interim, Sweety’s flashback merits viewing and a great deal of unanswered inquiries get tackled. Once more, Sahil’s choice to remain back in Moga to help Sweety feels somewhat fantastical. The peak could have turned out badly, a la AAJA NACHLE [2007] however fortunately, it doesn’t. In the meantime, it doesn’t initiate a sentiment of the shivers, which it in a perfect world ought to have.

Sonam K Ahuja gives a fine execution however doesn’t inspire much. She could have completed a ton with such a splendid part yet she releases the chance. Her execution isn’t a disappointment and yet, not as significant either. The film focuses on her yet it’s alternate on-screen characters who convey the film. Anil Kapoor takes the show with his execution and leaves a gigantic stamp as the patriarch confined by society and its desires. He will undoubtedly put a grin in scenes where he is enthusiastically cooking in the kitchen and when he gets enchanted by Juhi. In the finale, it’s his execution that lifts the film. Rajkummar Rao has somewhat of a supporting part and is incredible as usual. Actually, he’s good to the point that one wishes that he had a more drawn out job. In any case, he’s setback by the portrayal. Juhi Chawla is entirely delightful. Shockingly, she makes a decent attempt to be clever in the first place parcels however once she arrives up in Moga, she is something different. Her Google outline will without a doubt be valued! Abhishek Duhan has the negative influence well. Madhumalti Kapoor is sweet. Brijendra Kala is very great and raises chuckles in the scene where he’s pursued by Rajkummar. Seema Pahwa (Billo) gives a stunning and comical execution. Sara Arjun (youthful Sweety) is attractive. Akshay Oberoi (Raza) is squandered. Kanwaljit Singh (Sahil’s dad) and Alka Kaushal (Sahil’s mom) are sweet. Lastly, Regina Cassandra (Kuhu) is a significant critical piece of the film and awes with her sure demonstration. Despite the fact that one wishes her character was given more screen time.

Rochak Kohli’s music is unpretentious and contacting however not of chartbuster assortment. ‘Ek Ladki Ko Dekha’ is played at significant crossroads. ‘Gud Naal Ishq Mitha’ doesn’t have the ideal effect. ‘Chitthiye’ is contacting. ‘Local Party Song’ and ‘Hello’ are awesome however aren’t significant. Sanjay Wandrekar and Atul Raninga’s experience score is great.

Himman Dhamija and Rangarajan Ramabadran’s cinematography is very great and catches the districts and feelings well. Rajat Poddar and Teddy Maurya’s creation configuration is practical and has the residential community feel. Sheetal Sharma’s ensembles are impressive. Ashish Suryavanshi’s altering is unexpected at a few spots.

In general, EK LADKI KO DEKHA TOH AISA LAGA makes an imperative editorial on same-sex connections in India and is adorned with some fine exhibitions. However, the account is advantageous to have any passionate effect. In the cinematic world, its allure will be limited to specialty urban multiplex crowds.